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The Way Ahead?Review | Sound On Sound, Jul 1986Ramsa's Miniature Condenser MicrophonesRamsa may not be a familiar name in the pro microphone world just yet, but engineer Dave Lockwood reckons they will be judging by their latest range of miniature electrets which includes both a headset and a mic that can handle an SPL of 158dB! |
A Bunch Of Five...Review | Sound On Sound, Sep 1986Shure MicrophonesWe gathered together five different types of microphone from the current Shure product range and gave them to sound engineer Dave Lockwood to test. Read his report in this issue. |
C-Lab Human TouchReview | Sound On Sound, Nov 1989Dave Lockwood reviews this aptly named add-on audio triggering unit for C-Lab's highly popular Creator/Notator sequencing system. |
Sounding OffOpinion | Sound On Sound, Dec 1989MIDI Guitars: Who needs them?Despite the variety of MIDI guitar systems around, nobody has got it right yet. Dove Lockwood offers his views on where manufacturers are going wrong. |
Lexicon of LoveReview | Sound On Sound, Dec 1989Lexicon LXP5 Multi-Effects ProcessorFollowing the release of their acclaimed 'budget' LXP1 reverb, Lexicon have extended their presence in the affordable digital effects market with the LXP5 multi-effects unit. Dave Lockwood feels the quality. |
Six AppealReview | Sound On Sound, Dec 1989Sansui WSX1 6-Track RecorderSansui mark their debut into the home recording market with the impressive WSX1. Incorporating the first ever 6-track cassette recorder, it also combines a 2-track master recorder, an 8-channel mixer, and built-in digital effects in a convenient package. Will it appeal? Dave Lockwood finds out. |
Shure Beta MicrophonesReview | Sound On Sound, Mar 1990Shure’s SM58 and SM57 microphones are recognised industry standards. Although many rival manufacturers have tried to improve on these classics, all have seemingly failed. Now Shure themselves are attempting to go one better with their recently introduced Beta models. Dave Lockwood sees how they fare in comparison. |
Start of the ARTReview | Sound On Sound, Mar 1990Multiverb II Multiverb EXTDave Lockwood casts his eye over this brace of MIDI controllable multi-effects processors from ART. |
SansuiReview | Sound On Sound, Mar 199010-Track Recording PackageCombine two 6-track cassette recorders, one synchroniser and a 12:6:2 mixer, and what have you got? A rather appealing multitrack demo studio from Sansui. David Lockwood reports. |
Fostex 812 Recording & 2016 Line MixersReview | Sound On Sound, Apr 1990Best known for their tape recorders and cassette-based multitrackers, this new generation of mixers from Fostex look like they will make more than a few converts. Dave Lockwood checks them out. |
Rane MPE14 MIDI Programmable EqualiserReview | Sound On Sound, Jun 1990Dynamic MIDI control of EQ curves is only one of the creative benefits of this stereo 14-band equaliser, which offers tremendous tone-shaping power to those enlightened enough to explore its functions. Dave Lockwood sees the light and reports back. |
Sansui MDR7 MIDI/Tape SynchroniserReview | Sound On Sound, Jul 1990Dave Lockwood casts a critical eye over this low-cost MIDI/tape sync box from Sansui. |
Behringer Studio ProcessorsReview | Sound On Sound, Jul 1990There's not a MIDI socket in sight on this range of German studio units. They are simply good solid audio processors. Dave Lockwood checks them out. |
The Art of UpdatingReview | Sound On Sound, Aug 1990Art Multiverb III & SGE Mach IIArt seem to update their range of multi-effects processors faster than everyone else. Dave Lockwood checks out two of their very latest incarnations. |
Tascam DA30Review | Sound On Sound, Sep 1990DAT RecorderTascam's latest machine has all the features we have come to expect of a professional DAT recorder. Dave Lockwood assesses its performance. |
Hot ShotReview | Sound On Sound, Nov 1990TAC Bullet ConsoleIs TAC's versatile Bullet a new big gun in the compact console market? Dave Lockwood reports. |
Tascam MSR24SReview | Sound On Sound, Feb 1991'S' AppealIs it the birth of a new standard? Dave Lockwood drools over Tascam's Dolby S-equipped one-inch 24-track. |
Allen & Heath SpectrumReview | Sound On Sound, Mar 1991With on-board midi mute automation, six auxiliaries, 16 inputs and 16 monitors, Allen & Heath's new pint-sized Saber looks set to emulate the success of its larger brethren. Dave Lockwood checks it out. |
Fostex G24SReview | Sound On Sound, Mar 1991SSSH... From You Know WhoFollowing last month's review of the Tascam MSR24S, Dave Lockwood turns his attention to Fostex's new one-inch 24-track with Dolby S: The G24S. |
C-Lab Notator V3.0 - Part 1Review Series | Sound On Sound, Apr 1991C-Lab's outstanding Notator and Creator sequencers have now been updated to version 3.0. Dave Lockwood checks out the new features. |
C-Lab Notator 3.0 - Part 2Review Series | Sound On Sound, May 1991Part 2. Dave Lockwood completes his assessment of the new features to be found in the latest version of this popular sequencing and scorewriting program for the Atari ST. |
Free The Spirit!Review | Sound On Sound, May 1991Soundcraft Spirit StudioSoundcraft's new Spirit Studio is the company's first serious move into the domestic end of the studio market, a compact fully-featured mixer for the generation of affordable multitracks. Dave Lockwood checks it out. |
Tascam M2524Review | Sound On Sound, Jun 1991MIDI MixerThis new 24-input desk has an in-line tape monitor section doubling as additional line inputs and the benefit of MIDI muting. Dave Lockwood sounds it out. |
Zeta Mirror 6Review | Sound On Sound, Jun 1991MIDI Guitar ControllerDave Lockwood gets down to some serious MIDI guitar histrionics... |
The Dynamic DuoReview | Sound On Sound, Aug 1991Alesis 3630 Compressor/Limiter & Alesis RA100 Reference AmplifierAlesis made their name on high-quality, low-cost digital effects units, and their latest products offer the same affordable quality on two basic analogue units — a compressor and an amplifier. Dave Lockwood conducts the field test. |